There are certain villains in literature and cinema that leave a lasting
impression on the audience. For lack of a better term they just ‘creep us out’
and we love it. While many of these examples of ultimate evil are monstrosities
that are beyond the realm of reality one is all too real in his possibility,
Hannibal Lecter, better know as Hannibal the Cannibal. He is a perfect
gentleman, always gallant and well posed. He is extremely intelligent and well
read. Hannibal would seem like the perfect host for an urbane dinner party
except for the fact that if you offended him in any way you just might wind up a
course in the meal. When Thomas Harris created Hannibal in ‘The Red Dragon’ the
character caught on like wild fire. Naturally, the audience clamored for more
and more. While ‘Silence of the Lambs’ represents the best portrayal of this
heinous character the latest installment of the Hannibal saga, ‘Hannibal Rising’
brings us the least imaginative of the lot. This is a prequel, a look at what
happened in young Hannibal’s life that could turn him into a man capable of
killing and devouring other humans. Many fans may have wondered over the years
as to what events in a life could drive a man to this end but the realization
does not live up to the expectations.
The film opens in 1944 where eight year Hannibal (Aaron Thomas) is living
with family estate, Lecter Castle in Lithuania. At this time the Nazis where
literally at the gates. In order to evade the advancing German troops Hannibal
takes his younger sister Mischa (Helena Lia Tachovska) to the family hunting
lodge. Although the children have escaped the castle events there were grimly
unfolding. Six Lithuanian men, Grutas (Rhys Ifans), Dortlich (Richard Brake),
Grentz (Ivan Marevich), Kolnas (Kevin McKidd), Milko (Stephen Walters), and Pot
Watcher (Goran Kostic) are anxious to join the ranks of the Germans. Not only do
they want to become Nazis they aspire to joining the elite Schutzstaffel, the
dreaded and feared SS. As part of their initiation the SS commandant orders them
to execute the Jewish cook of the Lecter household. This not only doesn’t
present any moral dilemma to the men it is something they do with enthusiasm.
The Soviets move in on the area and the Commandant is killed but Grutas has a
bright idea, steal the identities of the SS. As the Soviet army advances on
their position the brigands have little recourse but to flee into woods. Big
surprise here but they just happen upon the lodge where Hannibal and little
Mischa are hiding. This turns out to be a particularly brutal winter and food is
extremely difficult to obtain so the men decide that Mischa is the next best
thing to a veal dinner. Moving ahead eight years The Lecter castle is now a
Soviet administered orphanage. One of the orphans is none other than Hannibal
(now played by Gaspard Ulliel). Life there is not pleasant to say the least.
Hannibal is attacked by a bully and defends himself with a fork and winds up in
the family dungeon. Things begin to look up for the lad when he discovers he has
relatives in Paris. He goes off to live with the widow of his late uncle, Lady
Murasaki (Gong Li).
She takes the boy in and teaches him the finer points of manhood including
the art of love and the deadly use of the Katana, the traditional sword of
Samurai warriors. What else could a fledgling serial killer need? When a local
butcher insults Lady Murasaki , Hannibal tracks him down to remote fishing spot
and demands an apology. That not forthcoming the boy uses his sword to slice the
man open and take his head. Lady Mursaki is not without power in the community
and Hannibal is not charged. Hannibal becomes the youngest medical student in
France but he is a far cry from being Doougie Howser. While working in the
hospital he sees a man being interrogated with the truth drug, sodium
thiopental. Hannibal decides to self administer the drug to force himself to
remember long suppressed details of his sister’s death. He recalls some clues
back in the lodge and sets off to examine them. At the border Dortlich is now a
guard. Hannibal recognizes the man and tortures him to giving the location of
the rest of the gang. When Hannibal decapitates him blood splashes on his face
and Hannibal joyfully licks it off. There is not much point to relating any more
of the story. Needless to say it is pretty standard revenge faire with Hannibal
tracking down the men responsible for his sister’s death and dispatching them in
ways that would make the villain in Saw proud.
Peter Webber, the director of this piece, scored a quite hit with ‘The Girl
with a Perl Earring’ but misses the mark on this one. ‘Earring’ depended on the
subtle acting and incredible sets to tell a story. Here his talent is doomed
from the start by the unnecessary and ill conceived screen play. This was the
first of the four Hannibal flicks were the screen play was penned by the author
of the novel, Thomas Harris. When people ask ‘why bother’ about the novel
chances are they film script will not do much better. The thing is some things
are better left to the imagination of the audience. Not knowing the origins of a
villain like Hannibal Lecter just added to the mystery that surrounded him. He
remains one of the greatest villains because he juxtaposes the ultimate in
civility with one of the great taboos in any culture, being consumed by another
person. While the other films in the series were thrillers this one degrades
into a slasher style horror flick. This movie is inspired more by the recent
commercial success of flicks like ‘Saw’ and ‘Hostel’ that adding to the Hannibal
saga. It does work to some degree on the horror genre level
and thankfully is not as graphic as some of its peers.
Gaspard Ulliel has the older Hannibal has a very unenviable task. Not only
does he have to take on one of the most recognizable villains ever he has to
follow one of the most talented actors today, Sir Anthony Hopkins. Hopkins
defined the character so perfectly in ‘Silence of the Lambs’ that Ulliel’s
performance comes across as a dim imitation. It might have helped a lot if
Ulliel shared some physical characteristics with Sir Anthony, after all much of
the character of Hannibal is in the eyes and body movements. Ulliel appears to
try to redefine the character but the die was cast long before production began.
Usually the Weinstein Company is a fantastic source of quality cinema. In
this case they could not do much here except give a good transfer to DVD. Even
the best batter will strike out now and again so you really can’t blame the
Weinstein Company for the short comings of the film. They should reconsider the
corporate position of the person who approved the film. There are two versions
of this release. One is an ‘R’ Rated pan & scan; the other an Unrated
widescreen. The video is well done with an excellent and natural color balance.
The Dolby 5.1 audio will let you hear every scream provided.
This is most likely the last of the Hannibal franchise. While not the best in
the series you can order a couple of pizzas and some beer, dim the lights and
give it a try.
Posted 05/21/07