We have all had some days in our lives where it just seems that life is
conspiring against us. You know, work is stressful, our commute far too long and
hoe life has become a drag. At times like this sometimes it helps to pull back
from yourself and watch a film that shows someone with a life more difficult
than you could have imagined. When it comes to overcoming obstacles Chris
Gardner is towards the top of almost every possible list. He was practically the
poster boy for the definition of the phrase ‘pulling your self up by your
bootstraps’. This man decided that his life was not working out they way he
wanted and instead of moaning about it he took his destiny in his own hands and
made something of himself. The film ‘Pursuit of Happyness’, loosely based on his
life looks at a man who is now a very successful stock broker in San Francisco
after overcoming homelessness, jail time, a broken marriage and bankruptcy. To
be fair while the real story is extraordinary enough the film does take numerous
liberties for ‘artistic’ purposes.
Life started out full of promise for Chris Gardner (Will Smith). He was
usually a straight ‘A’ student; very strong in mathematics. When he got married
to Linda (Thandie Newton) the couple moved into a nice apartment and started
their own business. Gardner purchased a quantity of medical scanners with the
plan to sell them to hospitals and doctors earning a tidy profit. Five years
later they have a son, Christopher (Jaden Smith) and most of the machines are
still unsold. Gardner couldn’t get his mind around what was happening. He was a
gifted salesman but still he was not able to unload his stock. The cost of the
machines put them out of the budget of most of his perspective clients. The
point comes when Linda has had enough. She takes a job in New York City and
prepares to leave. Gardner manages to retain custody of Christopher as mom
leaves for the east coast. The financial picture grows worse and in desperation
Gardner looks into the high pressure world of stock brokerage. He learns that
there are internships opening up at the world renowned Dean Witter. There he is
interviewed by one of the managers of the program, Jay Twistle (Brian Howe), and
impresses him with his ability to solve a Rubik's Cube in an extremely short
time. The training program comes with long hours, hard work and no pay. There
will be no money in this endeavor unless Gardner can beat out the other nineteen
candidates and win the job. While this glimmer of hope is far off on the horizon
Gardner has to deal with more immediate problems. Gardner and his son have been
evicted from their home not once but twice. Gardner has to find some place to
live even if it’s in a homeless shelter or cleaning up in a train station
restroom. Gardner also has to find some place to watch over Christopher during
the working day. He finds a day care center that would take the boy. Gardner’s
time is split between making a game of the hardship for his son while coping
with the screaming, high tension competitive nature of the internship program.
He stands with one foot in the world of high finance and the other waiting in
line for free food. Although he has to sell plans to millionaires he also has to
scrounge for ever morsel of food and the most meager of shelter.
This film cuts across several genres. It is a father-son buddy flick combined
with an old fashion ‘out from under adversary’ movie. There is a tendency to
tread the line of a sappy made for Lifetime flick but never quite goes over the
edge. Director Gabriele Muccino shows some restraint in this area with expert
editing to tell the two sides of the story. He includes little pieces of irony
such as Gardner can solve a Rubik's Cube in no time at all but he can’t always
come up with a means to feed himself and his son. The story also humanizes the
politically changed issue of the homeless. Most films tend to show the failures;
drug addiction, prostitution and despair. This one shows that anyone is a
paycheck or two from becoming another statistic in the eyes of politicians. This
is not a film of great moments. It shows how the little victories can hold a man
together, letting him not only get through the day but improve his life. Muccino
handles the pacing by juxtaposing the two worlds Gardner lives in. There is a
rush of activity at work where Gardner knows every action is being judged. When
he is with his son there is a tender, slower paced feel. Usually a stock broker
flick has greed at its core; here Gardner wants to make sure his son never has
to face this life of despair again.
There is a difference between a good actor and a great one. The good actor
presents his character; the great actor becomes him. In this film Will Smith is
great. There is not a single moment when the audience doubts that he is Gardner.
Of course playing a man balancing career with family is a bit easier since he
was playing opposite his own, real life son. Smith is one of those actors who
never seem to disappoint. Even in films that fall short of expectations (anyone
remember "Wild, Wild West’?), his performance is always a pleasure to behold.
Whether he is saving the world from aliens or portraying one of the world’s
greatest boxers Smith embodies his subject. In this film he gives us a view of
Gardner as a bright, driven man who has not forgotten what is truly important,
his son. Success for Gardner is not for the sake of financial superiority it is
for his own flesh and blood. This is Jaden Smith’s first time in a feature film
and what a debut it is. Here is a child actor who seems to have been genetically
engineered to give a great performance. After all with parents like Will Smith
and Jada Pinkett Smith he has big leg up on other perspective child stars. He
has inherited his father’s easy going manner; able to pull the audience in on an
emotional level and make us care. Hopefully, his parents will help him remain
grounded as he progresses in his career. Thandie Newton is a powerful, talented
actress who is not given much to do in her role. To her credit she has taken a
smaller role such as this just to expand her craft.
Sony Home Entertainment has released this film to DVD with their usual eye
towards excellence. Yes, there is a pan & scan version available but let’s not
dwell on it. The anamorphic, 2.40:1 video version is the one to get. The film is
well shot and much of the ambience is lost with cropping. The color balance is
well done with a palette that is true to life. The Dolby 5.1 audio is hearty and
provides a full, rich sound stage. This is a film that the whole family can
enjoy together.
Posted 03/04/07